alternativní vzdělávání
alternativní životní styly a každodenní/všední odpor
avantgarda, neo-avantgarda
cenzura
demokratická opozice
divadelní a performační umění
emigrace/exil
etnická hnutí
film filosofická/teoretická hnutí
folklorní kultura
hnutí menšin
hnutí na obranu lidských práv hudba kritická/nezávislá věda
kultura mladých
literatura a literární kritika media Arts
mírová hnutí
nezávislá žurnalistika
náboženské aktivity
národní hnutí ochrana životního prostředí
odpírači vojenské služby
populární kultura
přeživší perzekuce ze strany autoritativních/totalitních režimů
samizdat sledování, dohled sociální hnutí straničtí disidenti
studentská hnutí undergroundová kultura
vizuální umění
výtvarné umění
vědecká kritika
ženské hnutí
artefakt/umělý výrobek
film
fotografie
grafika
hudební nahrávky
jiné jiný umělecký předmět
kreslené vtipy, karikatury, komiksy
nábytek
oděvy
právní a/nebo finanční dokumentace publikace předměty užitého umění rukopisy
sochy suvenýry video nahrávky vybavení
výtvarné umělecké dílo zvukové nahrávky šedá literatura
Archiv výtvarného umění se skládá z různorodých dokumentů věnovaných českému a slovenskému umění 20. a 21. století. Katalogy, monografie, pozvánky, knihy, časopisy, fotografie, diapozitivy, výstřižky a další jsou kontinuálně shromažďovány od poloviny 80. let 20. století po současnost.
Through colour photographs and slides, the Alexandru Barnea private collection documents the demolitions imposed by the communist regime in the centre of Bucharest following the devastating earthquake of 1977, which served as a pretext for the destruction or mutilation of many historic monuments. The policy of demolishing the architectural and urbanistic heritage has been considered one of the most aberrant and arbitrary measures in the recent history of Romania.
The Andrei Pandele private collection is the most significant testimony in pictures, mainly black and white, to the demolition of historic monuments and districts in the Romanian capital in the period of late communism. Together with photographs that are essential for the preservation of the memory of a mutilated city and a vanished cultural heritage, the collection also includes a series of images capturing aspects of the degradation everyday life throughout the profound crisis of the 1980s. These suggest both the absurdity of the policies of the Ceaușescu regime and the grotesque mutations in the everyday routine of ordinary people to which these policies gave rise.
András Kisfaludy’s collection suggests ways of interpreting retrospective gazes on the alternative culture of the socialist period. While Kisfaludy is the owner of a sizable private collection that concerns alternative and dissent culture of the era, he is more a creator than a collector of documents. During the late 1950s and early 1960s, he was a member of the famous youth gang called "Kalef" (in 2006, he made a film about the gang). From 1968 to 1971, he was the percussionist of the underground band "Kex.” Kisfaludy began to make documentary films on cultural opposition in the 1990s. The core of his oeuvre was done between the early 1990s and early 2000s.
The status of the collection is special because the rights of the movies belong exclusively to András Kisfaludy, so the collection exists only as a private collection. However, the majority of his films are accessible via Youtube.
Artists’ Archives gather private collections of artists, documenting the most significant phenomena in post-1945 Polish art, including those which opposed the system or were criticised by the authorities. Many of these, are the work of creators and milieus engaged in the critique of the authorities and the cultural mainstream of Polish People's Republic. The Archives, designed as an integral part of the new Museum of Modern Art in Warsaw, collects artzines, manifestos, private and official letters, as well as documentation of artistic activities. Its collection is being digitised and published via Internet portal. The unveiling of every new collection is treated as an exhibition marked by a series of panels and meetings.