alternativní vzdělávání
alternativní životní styly a každodenní/všední odpor
avantgarda, neo-avantgarda
cenzura
demokratická opozice
divadelní a performační umění
emigrace/exil
etnická hnutí
film filosofická/teoretická hnutí
folklorní kultura
hnutí menšin
hnutí na obranu lidských práv hudba kritická/nezávislá věda
kultura mladých
literatura a literární kritika media Arts
mírová hnutí
nezávislá žurnalistika
náboženské aktivity
národní hnutí ochrana životního prostředí
odpírači vojenské služby
populární kultura
přeživší perzekuce ze strany autoritativních/totalitních režimů
samizdat sledování, dohled sociální hnutí straničtí disidenti
studentská hnutí undergroundová kultura
vizuální umění
výtvarné umění
vědecká kritika
ženské hnutí
artefakt/umělý výrobek
film
fotografie
grafika
hudební nahrávky
jiné jiný umělecký předmět
kreslené vtipy, karikatury, komiksy
nábytek
oděvy
právní a/nebo finanční dokumentace publikace předměty užitého umění rukopisy
sochy suvenýry video nahrávky vybavení
výtvarné umělecké dílo zvukové nahrávky šedá literatura
The Mirel Leventer private collection of photographs and films is the richest archive of images from the period of glory of Club A, 1969–1989, when it operated as a (semi-) clandestine and exclusive club, founded and administered by students of the Institute of Architecture in Bucharest (today the Ion Mincu University of Architecture and Urbanism). Club A was an oasis of freedom created in a basement in the middle of the historic area of the capital of communist Romania for the purpose of being able to organise shows, debates, and concerts that would be an alternative to the officially promoted culture, and to offer young people a place where they could behave as if they were free. In short, the Mirel Leventer private collection preserves the memory of an essential place for the alternative culture of young people in the last two decades of Romanian communism.
The Commission for Ideological and Political Work of the People's Youth of Croatia (1945-1962) was crucial in the development of young people regarding their guidance and education based on socialist values. The Commission worked under the aegis of the Communist Party, and its primary task was to monitor all activities that were opposed to the regime. Therefore, the numerous documents in this collection encompassing the period from 1945 to 1962 show different oppositional aspirations and activities of young people in Croatia in the immediate post-war period up to the beginning of the 1960s.
The legacy of composer László Lajtha provides insights into to the strategies adopted by an urban middle-class intellectual who made efforts to preserve the traditions of pre-communist classical cosmopolitan and national culture. By collecting cultural artifacts that would have been considered potentially oppositional by the regime, Lajtha, who was an internationally renowned composer, tried to sustain links to European culture across the Iron Curtain and to officially suppressed cultural values of religion and minority culture abroad.
The Cornel Chiriac Ad-hoc Collection at CNSAS comprises documents created or collected by the Romanian secret police, the Securitate, about Cornel Chiriac, a non-conformist Romanian journalist and jazz drummer, together with letters written by his fans, which were intercepted by the Securitate and never reached him. Cornel Chiriac was one of the most beloved radio and record producers at Radio Romania and then at Radio Free Europe and became an idol of the younger generation in the late 1960s and the 1970s.