alternativní vzdělávání
alternativní životní styly a každodenní/všední odpor
avantgarda, neo-avantgarda
cenzura
demokratická opozice
divadelní a performační umění
emigrace/exil
etnická hnutí
film filosofická/teoretická hnutí
folklorní kultura
hnutí menšin
hnutí na obranu lidských práv hudba kritická/nezávislá věda
kultura mladých
literatura a literární kritika media Arts
mírová hnutí
nezávislá žurnalistika
náboženské aktivity
národní hnutí ochrana životního prostředí
odpírači vojenské služby
populární kultura
přeživší perzekuce ze strany autoritativních/totalitních režimů
samizdat sledování, dohled sociální hnutí straničtí disidenti
studentská hnutí undergroundová kultura
vizuální umění
výtvarné umění
vědecká kritika
ženské hnutí
artefakt/umělý výrobek
film
fotografie
grafika
hudební nahrávky
jiné jiný umělecký předmět
kreslené vtipy, karikatury, komiksy
nábytek
oděvy
právní a/nebo finanční dokumentace publikace předměty užitého umění rukopisy
sochy suvenýry video nahrávky vybavení
výtvarné umělecké dílo zvukové nahrávky šedá literatura
The digital photography collection of Harald Hauswald was acquired at the end of 2017 by the Federal Foundation for the Reappraisal of the SED Dictatorship. It represents a valuable collection from one of the most significant photographers from the GDR. Hauswald’s snapshots from everyday life in East Berlin provide insight into a bygone era, and which acquired public acclaim and support following the toppling of the regime in 1990. The current collection is in the process to be expanded and by the end of 2019 is expected to include the photographer’s entire life work in digitalized form.
The breakdance movement emerged in the GDR in the 1980s. The private collection of Heiko Hahnewald represents one of the largest repositories of materials concerning this movement and provides insight into how breakdance culture found its place within the confines of life in the GDR as well as its continued development after 1990.
The Rock Museum was established in 2014 as a grassroots initiative by former musicians, experts, and collectors. The museum is the first collection in Hungary that presents documents and items of importance to the Hungarian rock and popular music scene (with an international and primarily regional focus) from the late 1950s to the present. Generally, the phenomenon of rock music under state socialism is considered a form of cultural resistance.
The unique resource value of the collection stems from the historical fact that the continuity of Hungarian scouting established in 1910 was in fact maintained by the émigré Hungarian scouting movement worldwide for more than four decades, from 1948 to 1989, in a period when it was prohibited in communist Hungary. According to Hungarian émigré scout leaders, the movement was intended to serve a two-front struggle of cultural resistance: on one hand against the official forgery of “the real” national heritage in communist Hungary; and on the other against the linguistic and cultural assimilation of Hungarian émigré youth within the multi-ethnic environment of some 20 countries of 4 continents worldwide.